Nonesuch Nonfiction Book Club
Let the adventure begin. Join the Nonesuch Nonfiction Book Club led by Sean R. Corbin, a PSPL Librarian.
The group meets the 3rd Thursday of the month from 2 p.m. - 3:30 p.m. (September through May) in the Cornelia White Community Room at the Welwood Murray Memorial Library in downtown Palm Springs.
To receive meeting information and/or join the email list for the Nonesuch Nonfiction Book Club, please email Sean R. Corbin in advance of the meeting.
Most titles are available as Downloadable Audiobooks and/or eBooks from PSPL.
November 19, 2026
Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood's Hidden Genius by Carrie Courogen

—Finalist for the 2024 National Book Critics Circle Awards
—Miss May Does Not Exist, by Carrie Courogen is the riveting biography of comedian, director, actor and writer Elaine May, one of America’s greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch.
After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is this: “Miss May does not exist.” Until now.
Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be.
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